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Edward Burne-Jones's Chaucer Portraits in the Kelmscott Chaucer review
Professor Velma Bourgeois Richmond
2005
The 'Cartoon' Book and Morris & Company's sale of Burne-Jones's cartoons in 1901–1904
Douglas E Schoenherr
2005
"Where the Picture Cannot Go, the Engravings Penetrate": Prints and the Victorian Art Market
Martha Tedeschi
2005
Circle of Sisters: Alice Kipling, Georgiana Burne-Jones, Agnes Poynter and Louisa Baldwin. (Book Review)
Anon
January 2005
A Circle of Sisters: Alice Kipling, Georgiana Burne-Jones, Agnes Poynter, and Louisa Baldwin, review
Gail Benjafield
February 2005
Eminent Victorians. A Circle of Sisters: Alice Kipling, Georgiana Burne-Jones, Agnes Poynter and Louisa Baldwin (Book Review)
Dr Amanda Lucy Foreman
May 2005
Edward Burne-Jones as sculptor: His gesso pieces
Anja Silke Gerritzen
October 2005
Picturing Music in Victorian England
Dr Suzanne Elizabeth Fagence Cooper
November 2005
Picturing Music in Victorian England
Dr Suzanne Elizabeth Fagence Cooper
November 2005
Between Surrealism and Magic Realism: The Early Feature Films of André Delvaux
Georgiana M. M. Colvile
2006
Art in Evolution: The Association of Burne-Jones, Morris, and Rossetti in the Second Generation of Pre-Raphaelitism
Elizabeth Cvitan
2006
Alfred Gilbert's aestheticism; Gilbert amongst Whistler, Wilde, Leighton, Pater and Burne-Jones
Anon
August 2006
Wings of desire: Burne-Jones's golden-haired angel was the quintessential Victorian image of piety. But it was not religion that fired his imagination; it was the real-life women he worshipped
Fiona MacCarthy
December 2006
Art as Lived Religion: Edward Burne-Jones as Painter, Priest, Pilgrim, and Monk
Colette Michelle Crossman
2007
Art for the People
Fiona MacCarthy
2007