The Evolution of a Collection: Drawings in Cleveland JOURNAL ARTICLE The Evolution of a Collection: Drawings in Cleveland
2000
Selected Publications
Master Drawings, Vol. 38, No. 3, Drawings in American Museums (Autumn, 2000)
Selected Authors/Editors
Diane De Grazia
Selected Artists
Sir Edward Coley Burne-Jones
Dante Gabriel Rossetti
John Singer Sargent
James Abbott McNeill Whistler
Selected Artworks
A seated female figure with her arms behind her head, facing left, for the reclining figure of Venus in the early version of Laus Veneris (in Praise of Venus)
A Seated Female with an open book on her knees facing right, for the figure of Clotho in The Fates
Study of a kneeling woman to the right, for Princess Sabra turning her head to the left for St George slaying the Dragon - St George and the Dragon
Study of a full-length male nude with his head facing to the right, for Paris with the Golden Apple in Left Hand, for the Troy Triptych
Study of a nude standing woman of Venus with the Golden Apple in her Right Hand, for the Troy Triptych
Study of a standing Male Nude of Paris, torso facing forward, head turned to the left for the left panel of The Story of Troy triptych
Samuel stained glass design for the The Vyner Memorial Window, Christ Church Cathedral, Oxford and Maidstone Grammar School
Timothy stained glass design for the The Vyner Memorial Window, Christ Church Cathedral, Oxford and Maidstone Grammar School (Dabit Tibi Dominus in Omnibus Intellectum)
Drapery study of the skirt of a kneeling woman and its reflexion for the fourth figure from the left in The Mirror of Venus (Venus's Looking Glass)
Studies of the Feet, Arms and Hands of Venus for The Mirror of Venus 1873 (Venus's Looking Glass)
Study of a figure bending over to the left for the first figure on the right in The Mirror of Venus (Venus's Looking Glass)
Study of a full-length standing male nude looking left and holding a tablet with a right hand and arm holding a quill pen St Mark the Evangelist stained glass design for Jesus College chapel, Cambridge
Study of a Girl's head for the figure fifth from the left in The Mirror of Venus (model Jenny Morris. Venus's Looking Glass)
Study of a Girl's head for the reflexion of the fourth girl from the right in The Mirror of Venus, (model Jenny Morris. Venus's Looking Glass)
Study of a kneeling woman with hands clasped at her waist for the fourth figure from the left for The Mirror of Venus (Venus's Looking Glass)
Study of a left arm and hand of the fourth woman from the right and a pair of feet for Venus in the Mirror of Venus (Venus's Looking Glass)
Study of a Seated Male Nude turned to the right for the figure of The Temple of Love - The First Marriage (Quia multum Amavit, Love is Enough, The Mystic Marriage)
Study of a Standing dressed woman playing a Harp for The Temple of Love - The First Marriage (Quia multum Amavit, Love is Enough)
Two drapery studies on one sheet for the first figure on the right in The Mirror of Venus (Venus's Looking Glass)
Rear view of a standing Male Nude with a tied Loin Cloth, possible study for the Bridegroom in The Temple of Love - The First Marriage (Quia multum Amavit, Love is Enough, The Mystic Marriage)
Study for the draped figure of St Mark stained glass design for Jesus College chapel, Cambridge
Draped Standing Male in profile to the right for The Pilgrim in The Pilgrim at the Gate of Idleness
Female Head Study in half profile looking down to the left for the fourth figure from the right in The Mirror of Venus (model Jenny Morris, Venus's Looking Glass)
Study of a nude woman holding a mirror for Sibylla Libyssa (The Libyan Sibyl, Sibylla Libica) for stained glass at Jesus College chapel, Cambridge
Study of a Male Nude from behind looking left with hands clasped in prayer for Love Is Enough (Quia multum Amavit)
Study of a Standing Nude Woman Study of a nude woman holding a mirror for Sibylla Libyssa (The Libyan Sibyl, Sibylla Libica) for stained glass at Jesus College chapel, Cambridge
Study of The Pilgrim for The Pilgrim at the Gate of Idleness
Studies for the figure and hand of Idleness in The Pilgrim at the Gate of Idleness
Study for the Pilgrim in The Pilgrim at the Gate of Idleness
Head of a Woman in profile facing left for Galatea in The Godhead Fires, Pygmalion Second Series
Study for the head of Medusa for the Finding of Medusa (model: Margaret Elizabeth Benson, Mrs Drummond, sister of W.A.S. Benson), Perseus series
Study of a full-length standing female nude, head turned to the left,possilby and early pose for Andromeda in the Rock of Doom, Perseus series, with studies of a right arm and had stretched out and a left arm and hand stretched down holding a palm
Study of the reflexion of a kneeling woman with her hands to waist for the fourth figure from the left in The Mirror of Venus (Venus's Looking Glass)
Head study for Thetis wearing her bridal veil, looking right in The Feast of Peleus and Thetis
St Philip Baptising the Eunuch), stained glass design for the Mission Church, Norfolk Island, Australia
Preliminary study of Cupid in Pyramus and Thisbe Triptych (Williamson Art Gallery at Birkenhead)
Study of a the head of a Woman facing upward with eyes closed to the right
Study for the head of Medusa for the Finding of Medusa (model: Margaret Elizabeth Benson, Mrs Drummond, sister of W.A.S. Benson.)
Cupid's Hunting Fields - Cupid's Hunting Ground (Chicago)
Nude study of a Male Hill Fairy, upper torso The Hill Fairies, The Last Sleep of Arthur in Avalon
Study of a Nude Woman seated, holding onto another figure to her left, possibly a variant for The Garden of Pan
Preliminary study for Gaspar (Caspar) for the Adoration of the Magi tapestry (The Star of Bethlehem)
Study of the Head of a Woman looking up to the left - Violet Maxse
Head of a Woman in profile to the left, with plaited hair in a bun
Back view of a Nude Standing Nude Woman possibly for Tristram and Yseult (Iseult, Isoude, Isolde) (1871-72) and Sketch of a Foot
Snake women (Serpent women) around a Cooking Pot